There is an extravagantly histrionic quality to Blow. For its small dimensions, it is showy. Like an actor with a diminutive stature and a surprisingly booming voice. It takes an everyday action, such as snuffing out a candle, and turns into a performance. And what could be more dramatic than switching from light to darkness? For all its apparent simplicity, there is magic in the genuine surprise when squeezing the rubber bulb and extinguishing the flame. Blow is a return to the spirit of childhood, the excitement of being handed the controls and the forbidden idea of playing with fire.
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